|
"ingenious scoring...exotic
orchestral colors, witty riffs and gloriously uninhibited splashes of
dissonance...translucent textures and elegant voicing...shrewd arrangements..." |
|
"Tony's charts always
reflect his personality: interesting, well thought-out, original, and
most of all a distinctive style that gives him an arranging signature
all his own." |
|
Jazz
Ensemble
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
Blue Infusion |
q = 70; 12/8 Swing |
III | opt. Alto, Trpt, Tbn, Rhythm section | archival RealAudio File |
Kjos |
$45 | comm. by The Commission Project for Evanston Township HS Jazz Band (IL); altered minor blues |
| Bouncing Back |
q = 120; Swing |
II | any instrument; opt. written Trpt, Tenor | archival RealAudio File |
garciamusic.com | $45 | comm. by TCP and Limestone Jr. HS (IL); bluesy tune alternating 2- and 4-feels; opt. reduced down to 6 horns, Pno, Dr |
| By the
Light of the Dawn |
q = 66; Bolero | IV | Tbn or opt. any player | live concert
video; also YJED 2000, Youth Jazz Ensemble of DuPage |
Three-Two Music | $70 | comm. by TCP for the 911 Mambo Orchestra and for Evanston Township HS Jazz Band |
|
"At the
51st edition of The Midwest Clinic in Chicago, Illinois, ...the evening
began with the premiere of García's new bolero, By the Light
of the Dawn, underwritten by The Commission Project and performed
by Angel Melendez and the 911 Mambo Orchestra, one of Chicago's outstanding
Latin jazz bands. The composition is being shared with Evanston Township
High School's jazz band as part of García's ongoing artist-residency
there, also funded by TCP." |
|||||||
|
"Cha-Cha |
q = 124; |
III |
opt. Alto, Tenor, Bari, Trpt, Tbn, Rhythm |
archival |
Walrus |
$55 |
written for the VCU Greater Richmond High School Jazz Band; A-minor; in the style of Oye Como Va; solos over AABA form or just an A-minor vamp; opt. guitar, timbales, percussion; opt. "coro" for the band to sing! |
|
"Hang" Time |
q = 124; Swing |
V |
4 Tbns + written B. Tbn |
Hot House,
Eastman Jazz Ensemble (Mark MJS-57615), 1985 |
UNC Jazz Press |
$55 |
5-Tbn feature in G minor & G major; ww doubles |
|
I Like Bebop |
q = 220; Swing |
V |
Tbn, Trpt, Pno, Dr, any Saxes |
The Count is In,
JazzTech Big Band |
Walrus |
$55 |
comm. by the Illinois Music Educators Association; Bb blues with a bridge |
|
"For
sheer big band excitement and power, it would be hard to surpass Tony
García's infectious I Like Bebop...."
Jazzgram |
|||||||
|
I Mean MO |
q = 190; Swing |
IV |
Alto, Tbn, Trpt, Rhythm |
archival |
garciamusic.com |
$45 |
comm. by IAJE-MO for the Missouri Music Educators Association All-State Jazz Ensemble; "I Mean You" changes |
|
"That
is an awesome chart! Very funny and swinging.
Kudos on a very clever and fun chart." Michael Philip Mossman, Trumpeter, Composer, Bandleader Missouri All-State Jazz Ensemble Director |
"Your
chart was wonderful, so packed with cleverness.
Thanks for a great commissioned Missouri chart." Martha Stitzel, The Principia |
||||||
|
Jaguar Blues |
q = 184; Swing |
III |
any instrument; opt. written Alto, Trpt, Tenor, Tbn |
archival |
Kjos |
$45 |
comm. by TCP and Jefferson Middle School (MO); cut-time feel, with all horn notes on quarter-note downbeats for easy reading; opt. reduced down to 6 horns, Pno, Dr |
|
Jumpin' at |
q = 200; Swing |
IV |
opt. Alto, Tenor, Trpt, Tbn, Rhythm |
Fascinatin' Rhythm,
JazzTech Big Band (ROPA Jazz 1033), 1997 |
Walrus |
$55 |
comm. by Dowling HS Jazz Band (IA); based on Shiny Stockings & Satin Doll; opt funk section |
|
"Parton
has been able to generate some first-class writing from within. Of special
interest is Tony García's Jumpin' at the Westside, which
has a couple of unexpected interludes of ensemble interplay during a
rhythm drop-out, plus knowing solo work on trombone by the author." |
"...a
thundering flag-waver,
a striking original." Jack Bowers (liner notes for the CD "Fascinatin' Rhythm") |
||||||
|
Loved One |
q = 70 |
IV |
Tbn or opt. Trpt |
What Are We Here
For?, JazzTech Big Band (Sea Breeze SB-2067), 1995 |
Walrus |
$48 |
comm. by JazzTech Big Band; Basie-style ballad a la Li'l Darlin' |
|
"...a
hauntingly lovely ballad reminiscent of Neal Hefti's
Li'l Darlin'." Cadence |
"In
the category of prettiest original composition, the undisputed winner
is trombonist Antonio J. García who wrote, arranged, and contributes
a lustrous solo on Loved One, an entrancing confection
whose unhurried pace and seductive melody bring to mind Neal Hefti's classic Li'l Darlin'." Jack Bowers (liner notes for the CD "What Are We Here For?") |
"...wonderful
writing...a lovely line for the bridge...the changes are very rich and
challenging.... Dynamic textures near the end of the chart will surprise
the audience with dramatic change."
IAJE Jazz Educators Journal |
|||||
|
Maelstrom |
h = 118; Funk (opt. shifts to other styles) |
IV |
opt. Alto, Tenor, Trpt, Tbn, Rhythm |
archival |
Walrus |
$55 |
written for the VCU Jazz Orchestra I and premiered with saxist Seamus Blake; named after the center of a storm; solos over one-chord A-sections with a several-chord bridge; no sax doubles. |
|
Mambolák |
h = 100; Latin |
III |
Alto, Flugel, Drums |
archival |
UNC Jazz Press |
$50 |
a samba with easy solo changes |
|
The Midwest Fest |
q = 120; Swing |
IV |
opt. Alto, Trpt, Tbn, Rhythm |
archival; also |
Kjos |
TBA |
comm. by Meet The Composer, The Thelonious Monk Institute, and TCP for Evanston Township HS Jazz Band; based on Cherokee |
|
"Antonio
García guest-solos on his own [The Midwest Fest], which
offers an imaginatively surrealistic dixieland interlude." |
"This
swing-style arrangement is based on the chord sequence to the jazz classic
'Cherokee'; and there are references to older swing tunes, such as 'Begin
the Beguine,' 'Four Brothers,' and Dixieland music throughout the arrangement."
The Instrumentalist |
||||||
|
Partin' Shots |
q = 112; Swing |
V |
Pno, Bass, Tbn |
JazzTech Big Band |
UNC Jazz Press |
$50 |
comm. by JazzTech Big Band; Monk-ish Bb blues w/ww doubles, difficult Trpt soli, difficult Pno melody |
|
"The
[JazzTech] disc's highlight is Partin' Shots. García's number
gives the rhythm section its biggest chance to shine
and features four trumpets playing as if from one mind to one purpose." The Jazz Review |
|||||||
|
Samba Sin Palabras |
h = 96; Samba |
III |
any instrument (or opt. voice) |
archival |
UNC Jazz Press |
$75 |
comm. by Highland Park HS (IL); opt. vocal jazz ens; easy solo changes |
|
Soft Spot |
q = 90; Swing |
V |
Tbn |
live concert video;
also |
Walrus |
$55 |
comm. by JazzTech Big Band; sassy, bump-and-grind plunger Tbn feature with blues-march bridge |
|
South Third |
q = 142; |
III |
Alto, Trpt |
archival |
UNC Jazz Press |
$45 |
comm. by Hinsdale Central HS Jazz Band (IL) |
|
String
Orchestra
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
Legacy |
q = 120; |
III (ens) |
any instrument |
archival |
garciamusic.com |
$60 |
comm. by Highland Park HS (IL); string orchestra + piano; blues and gospel content |
|
...an
"upbeat musical work with elements of the spiritual, gospel, blues, bossa,
and funk influences in jazz."
IAJE Jazz Educators Journal |
"Tony's
composition, Legacy, brought a new dimension of musical creativity
and understanding to my string orchestra members, motivating them to crave
the jazz experience. He came to rehearsals, brought phrasing and balance
to life, and created confidence in students' ensemble and solo performances.
They were excited and challenged by performing melodic and harmonic jazz
idioms and jazz solos.
It was great watching my cellist, who is capable of performing Schelomo, really 'get it on' with his jazz solo in Legacy. Working and interacting with Mr. García was a personal and professional pleasure." Charles Emmons, Director of Orchestral Activities, IL Twp. HS Dist. #113 (Deerfield and Highland Park High Schools) |
||||||
|
The Wayfarer's Path |
4 mvmts of varied
tempi; |
IV (ens) |
no improvised solos |
archival |
garciamusic.com |
$100 |
comm. by Oakton HS (VA); string orchestra only; some mixed meter |
|
Full
Orchestra
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
Crescent City Scenes |
Blues, Ragtime, Ballad, & Dixie |
IV |
Trpt (opt written), Pno |
archival |
garciamusic.com |
rental |
comm. by the Kishwaukee Symphony Orchestra (IL); 4 Mvmts in New Orleans styles; orch + Pno |
|
Jazz
Orchestra (traditional orchestra plus jazz ensemble)
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
Tales of |
q = 116; 3/4 Latin |
V |
Trpt |
archival |
garciamusic.com |
$200 |
premiered by the Eastman Studio Orchestra |
|
Wind
Ensemble
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
Cha-Cha Yunque |
q = 120; |
III |
any instrument |
archival |
Kjos |
$60 |
comm. by The Commission Project for Deer Path Middle School (IL); solos possible with 2 major and 2 blues scales |
|
"Working
with Tony this year was the best kind of gift: one you never expect to
receive. His ability to share his expertise and knowledge enthusiastically
with middle school students is unsurpassed. The amount of time he devoted
to our students cannot be measured in minutes or hours, and we can only
hope that we repaid his dedication by performing Cha-Cha Yunque
in a manner that pleased him. We will always be grateful to Tony and The
Commission Project."
Heather Pettit, Director of Bands, Deer Path Middle School (IL) |
|||||||
|
Shaping Thought |
h = 92; Latin |
III |
opt Fl, Cl, Alto, Trpt, Tbn, Perc |
archival |
garciamusic.com |
$80 |
comm. by Meet The
Composer for the Harvard Junior High Concert Band; |
|
"During
his Meet The Composer residency at Harvard Junior High School, Mr. García
demonstrated both his creativity and flexibility in working with a unique
focus group of sixth through eighth graders, blending band students with
varying levels of music training and Latino students from our limited
English proficiency class."
Gary Gerdt, Director of Bands, Harvard C.U.S.D. #50 |
|||||||
| Trombone Ensemble
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
Go Tell It On The Mountain |
rubato chorale, then q = 132, Swing |
IV |
one or more, ad-lib or written |
archival |
Kagarice Brass Editions |
$10 |
Four parts. Performed at the 1997 ITA Festival. |
|
Combo
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
Midst Warm Winter's Chill |
h = 92; Latin |
V |
Alto, Trpt, Tbn, Bass, Drums |
archival |
garciamusic.com |
$40 |
comm. by Georgia agencies affiliated with the NEA |
|
Vocal
Jazz Ensemble
|
|||||||
|---|---|---|---|---|---|---|---|
| Title | Tempo/Style | Grade | Soloists | Recording | Publisher | Price | Notes |
|
A Musing |
q = 112; |
II |
any |
archival |
UNC Jazz Press |
$45 |
comm. by IMEA District VIII; ECM-style, with lyrics about relationships separated by distance |
|
Face to Face |
q = 100; Swing |
III |
male/female |
archival |
UNC Jazz Press |
$45 |
comm. by IMEA District I; lyrics about high school boy-meets-girl |
|
First Impressions |
h = 78; Samba |
III |
male/female |
archival |
UNC Jazz Press |
$45 |
Clare Fischer-influenced harmonies and Latin style; lyrics about romantic first impressions |
|
Gonna' Go Dancin' |
q = 140; |
III |
any |
archival |
UNC Jazz Press |
$50 |
comm. by IMEA District IX; '60s Blue Note-influenced feel; lyrics about plans to go out dancing |
|
Gonna'
Go Dancin' is a "well-written jazz waltz in the style of All
Blues."
Paris Rutherford, University of North Texas, IAJE Jazz Educators Journal |
|||||||
|
Journey |
h = 86; |
II |
any |
archival |
UNC Jazz Press |
$40 |
quartal harmonies and planed dissonances; lyrics about retreating into one's imagination |
|
Metanoia (A Change of Heart) |
Rubato Ballad |
III |
male |
archival |
UNC Jazz Press |
$40 |
a cappella ballad; lyrics regarding the changing of relationships |
|
Samba Sin Palabras |
h = 96; Samba |
III |
any voice |
archival |
UNC Jazz Press |
$75 |
comm. by Highland Park HS; jazz ens w/opt. vocal jazz ens; worldess lyrics in horn style |
|
Strollin' with Sammy |
q = 88; Swing |
IV |
male/female written solos |
archival |
UNC Jazz Press |
$45 |
a tribute to composer/arranger Sammy Nestico in music and lyrics |
|
Strollin'
with Sammy is a "a simple big band sound, good for teaching swing."
Paris Rutherford, University of North Texas, IAJE Jazz Educators Journal |
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| Top |